JIEYI LUDDEN ZHOU 周杰意
  • East/West Batik arts
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    • Batik
    • paper making
    • Papercraft & Shadow Boxes (2019 - 2023)
    • Trifecta Poetry Project (2018)
    • Scaredy Cat (2017)
    • Dinosaurs (2016)
    • Hard Reset (2016)
    • True Stories (2016)
    • Our Questions (2015)
    • Madison Children's Museum (2014)
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    • Wisconsin Institutes for Discovery
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  • Illustration
    • South Seattle Emerald
    • Tattoo Flash
    • Creatures
    • Integrative Biology
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  • Classes
  • About
  • contact
  • East/West Batik arts
  • Art
    • Batik
    • paper making
    • Papercraft & Shadow Boxes (2019 - 2023)
    • Trifecta Poetry Project (2018)
    • Scaredy Cat (2017)
    • Dinosaurs (2016)
    • Hard Reset (2016)
    • True Stories (2016)
    • Our Questions (2015)
    • Madison Children's Museum (2014)
    • Bits and Pieces
  • Design
    • Recipes for Creative Healing
    • Dynamic Waters
    • Alphabet Alliance of Color
    • Plant Allies
    • Parisol / 互助 / 团结力量
    • Fox tale Coffee
    • Moonyeka/Movement As Medicine
    • Foxbot Industries
    • Healthcare UX/UI mockup
    • Wisconsin Institutes for Discovery
    • Sunny Side Up
    • Physics Museum
    • Extras
  • Illustration
    • South Seattle Emerald
    • Tattoo Flash
    • Creatures
    • Integrative Biology
    • Sketchbook
  • Classes
  • About
  • contact
JIEYI LUDDEN ZHOU 周杰意

Hard Reset

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Interactive Installation, 2016.

​A soft reset for a phone or computer is restarting the device: closing programs and clearing RAM. The human equivalent might be getting some sleep so that one can look at a project with “fresh eyes”. A hard reset is deleting all user-added applications, data, and settings to restore a device to its factory defaults. There isn’t a good human analogue for a hard reset.

As we are growing up and even beyond, the things we learn in and outside of the classroom program us to think, behave, and emotionally respond in specific ways to various stimuli. To a large degree, these rules are culturally governed, rather than innate modes of being. It’s the unwritten rules of a space that teach us how to order food at a restaurant or where to sit in a meeting or why we need to choose a specific area of study.

In this interactive exhibit, I explore and deconstruct learned inhibition. The exhibit imagines rolling back a personal clock to a time when one might not have hesitated to draw on the walls.
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Work Titles

1. Pareidolia in Imperfect Space (Red Pen)
2. An Effigy for Broken, Malformed, and Irrelevant Objects
3. Pareidolia in Imperfect Space (Laundry List)
4. Pareidolia in Imperfect Space (Table for Two)
5. Contextual Response
6. Pareidolia in Imperfect Space (Loveseat)
7. Pareidolia in Imperfect Space (Monsters)
8. Pareidolia in Imperfect Space (Lampshade)
9. Pareidolia in Imperfect Space (Sock Drawer)
10. Impractical Instruments (A Song for Every Heartbreak / Cook You Up a Love Song)
11. Impractical Instruments (Skill Not Required)
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Public Art, ILLUSTRATION & GRAPHIC DESIGN inquiries Open

email:[email protected]
Jiéyì Zhou 周杰意
​pronouns: they/them/他